Let me start out by saying that I didn’t intend to create a podcast. Don’t get me wrong, I’ve always enjoyed podcasts, having been a fervent Radiolab listener for more than 10 years, and I regularly recommend shows like 99 Percent Invisible, Levar Burton Reads, The Moth, and Imaginary Worlds to anyone who will listen. But I never thought I would make one. These shows were highly produced works of art. Coming from a film background, I knew how much time and energy that takes to pull off.
But then, the whole world changed.
A deadly pandemic upended my daily routine. I was out of work, alone at home, for days…and then weeks…and then months. I read a lot, but I also dove headlong into every podcast I could find, sampling from genres and formats I never knew existed. I listened all the time—in the shower, while weeding the garden, out walking the dog—trying to shut out terrifying reality with comforting voices in my ears.
All that listening dredged up an old idea. Back in college, I used to joke with my friend and frequent collaborator Will McDonald that someday we were going to make a black-and-white sci-fi B-movie called Captain Radio and the Mutant Mole People from the Eleventh Dimension. For years and years, it was nothing more than an inside joke. Then, in the fall of 2020, something clicked and I realized that Captain Radio wasn’t a movie at all, but a 1930s radio show.
I started writing. Soon, I had dashed off three scripts bursting with rocket ships, ray guns, robots, mad scientists, rapid-fire dialogue, melodrama, and (of course) a valiant hero. It was silly stuff, popcorn fare of the highest order, but it felt good to write something hopeful in the midst of a global catastrophe. I needed the escape, and I suspected others did, too. So, I pitched the show to Will and asked him to come along as the star and co-producer. For some crazy reason, he agreed. Together, we assembled a talented voice cast from across the country, many of whom we knew from Theatrikos Theatre Company in Flagstaff, AZ.
After a lot of work finalizing the six-episode story, organizing recordings, learning my way around Audacity, creating sound effects with random objects lying around my house (wine glasses, bags of rice, and a wet sponge among many others), the first episode dropped on December 31, 2021. Chapter 4 is out now and as we rocket toward the season finale in a couple of weeks, I’m proud of the work we’ve done and hope listeners have enjoyed coming along for the ride as much as we’ve had fun putting it together.
If you’re interested in checking out the show, you can find The Adventures of Captain Radio in all the usual places you consume podcasts, including Apple Podcasts and Spotify. If you enjoy the show, please take a moment to leave a rating and review telling others one thing you liked about it — that helps us immensely. You can also buy merchandise featuring artwork and quotes from the show, or you can skip all of that and make a monetary donation on Ko-Fi to help pay the bills. You can learn more on the Obscure Studios website if you’d like to dig deeper.
I didn’t set out to become a podcaster, but here I am. I’m so excited to be sharing this spacefaring journey with you. Thanks for listening.
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Jonny Eberle is a writer and aspiring podcaster in Tacoma, WA. His fiction has been featured in Creative Colloquy, Grit City Magazine, and All Worlds Wayfarer, and his debut audio drama, The Adventures of Captain Radio. Follow him on Twitter or join his mailing list for more news, writing, and musings.
2 responses to “I Guess This Makes Me a Podcaster: On Creating The Adventures of Captain Radio”
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